A tile factory

Maker

(artist)
1853-1890

Title

A tile factory

Date of Production

(March) 1888

Medium

graphite, pen and brown ink on wove paper, with pinholes at all four corners

Dimensions

Height: 25.6 cm
Width: 34.8 cm

Accession Number

D.1948.SC.155

Mode of Acquisition

Samuel Courtauld, bequest, 1948

Credit

The Courtauld, London (Samuel Courtauld Trust)

Location

Not currently on display

Keywords







Notes

This drawing of a tile factory seen beyond ploughed fields was made from the road leading to the town of Tarascon, around half a mile outside Arles. Making drawings reduced the financial strain on Van Gogh’s brother Theo, who supported him. In a letter from the spring of 1888 the artist wrote, ‘if there comes a month or a fortnight where you feel pressed, let me know, from then on I’ll make drawings, and that will cost us less’. Here, using reed pens of various thicknesses, Van Gogh has rendered the scene with the diversity of mark-making found in his paintings. Long deliberate lines are used to describe the furrows of the field; quick successive strokes where the pen barely leaves the page suggest stubble; and fine lines denote the factory roof. Van Gogh’s careful attention to the factory extends to the fence that horizontally divides the composition, where each individual plank of wood has been meticulously demarcated. Meanwhile, elements in the foreground have been cursorily described and the upper third of the drawing remains relatively untouched. Beneath the graphite, which Van Gogh used first to situate the buildings and the cart and rider before applying the brown ink, is a visible grid that covers the entire sheet. Some of the lines are ruled, while others are hand drawn, but all were drawn with a hard pencil that left indentations on the sheet. This may be evidence of Van Gogh’s use of a perspective frame, a portable wooden frame crossed by wires in a grid formation that could be pinned to posts, aiding with the accurate representation of a scene. Having recently moved to Arles from Paris, Van Gogh was excited about working outdoors. Despite the picturesque surroundings, however, he chose to focus on the modern subject of a factory.

Provenance

the artist's brother, Theo van Gogh, Paris (1857-1891), 1888; the artist's sister-in-law, Johanna van Gogh-Bonger, Amsterdam (1862-1925), 1891; by descent to her son, Vincent Willem van Gogh, Laren (1890-1978), 1925; presumably purchased from him by Leicester Galleries (London), 1926; purchased there by Samuel Courtauld, London (1876-1947), 26 April 1927 (£178 10s); Courtauld Bequest 1948

Exhibition History

Drawings and engravings from the Courtauld Collection, Courtauld Gallery, London, 1959-60 (Dec.-Apr.)

Vincent van Gogh collectie van mevr. J. van Gogh Bonger, Vereiniging Voor de Kunst, Utrecht; Kunstkring, Rotterdam, 1923 (Feb.-Mar.)

The Courtauld Collection. A Vision for Impressionism, Louis Vuitton Foundation, Paris, 20/02/2019-17/06/2019 ...More

Mantegna to Matisse - Master Drawings from The Courtauld Gallery, The Frick Collection, New York, 02/10/2012-27/01/2013

Mantegna to Matisse - Master Drawings from The Courtauld Gallery, Courtauld Gallery, London, 14/06/2012-09/09/2012

Van Gogh and Britain, Dean Gallery, Edinburgh and Compton Verney, 07/07/2006-24/09/2006

Van Gogh at Arles, Fondation Van Gogh, Arles, 30/06/2003-15/10/2003

Material Evidence, Courtauld Gallery, London, 30/10/1998-24/01/1999

The Courtauld Collection: Masterpieces of Impressionism and Post-Impressionism, Art Gallery of Ontario, Toronto, 14/06/1998-21/09/1998

The Courtauld Collection, Tokyo, Osaka, Kyoto, 26/12/1997-12/05/1998

Drawing the Line - Reappraising Drawing Past and Present
(selected by Michael Craig-Martin)
, Southampton City Art Gallery; Manchester City Art Galleries; Ferens Art Gallery, Hull; Whitechapel Art Gallery, London, 07/07/1995-10/09/1995

Impressionist, Post-Impressionist and Related Drawings from the
Courtauld Collections
, Courtauld Gallery, London, 11/05/1988-04/09/1988

The Impressionists and Post-Impressionists from the Courtauld Collection, Tokyo, 12/01/1984-28/02/1984; Kyoto, 03/03/1984-03/04/1984; Osaka, 12/04/1984-08/05/1984; Australia National Gallery, Canberra, 01/06/1984-06/08/1984

Mantegna to Cezanne - Master Drawings from the Courtauld, British Museum, London, 24/02/1983-19/06/1983

Drawings from the Courtauld, Graves Art Gallery, Sheffield; Wolverhampton Art Gallery; Bolton Museum and Art Gallery; Laing Art Gallery, Newcastle; Ferens Art Gallery, Hull; Portsmouth Museum and Art Gallery, 1977-79

Samuel Courtauld's collection of French 19th century paintings and drawings: a centenary exhibition to commemorate the birth of Samuel Courtauld, Courtauld Institute Galleries, 1976

A Selection of Drawings from The Witt/Courtauld Collections, University of Sussex, Falmer, 1964

Master Drawings from the Witt and Courtauld Collections, Whitworth Art Gallery, Manchester, 17/11/1962-22/12/1962

Impressionistes de la Collection Courtauld de Londres, Orangerie, Paris, 1955

Samuel Courtauld memorial exhibition, Tate Gallery, London, 1948

Van Gogh, Leicester Galleries, London, Nov. 1923

Vincent van Gogh Tekening uit de verzameling mevr. J. van Gogh Bonger en V.W. van Gogh, Stedelijk Museum, Amsterdam, December 1914

Van Gogh, Stedelijk Museum, Amsterdam, July 1905 ...Less

Literature

Serres, Karen (ed.), The Courtauld Collection: A Vision for Impressionism, Paul Holberton Publishing 2019
illus. p. 283
no. 70, pp. 282-283

Mantegna to Matisse - Master Drawings from The Courtauld Gallery, Frick Collection, New York and Courtauld Gallery, London London 2012-2013
illus. p. 245, detail on p. 246
no. 55 on pp. 244-47

Van Gogh and Britain, Dean Gallery, Edinburgh, 2006
cat. no. 27 ...More

Van Gogh at Arles, Fondation Van Gogh, Arles, 2003
illus. p. 27
p. 26

The Courtauld Collection: Masterpieces of Impressionism and Post-Impressionism, Art Gallery of Ontario, 1998
illus. p. 97
cat. no. 48

Hulsker, Jan, Complete van Gogh. Paintings, drawings, sketches. Revised and enlarged edition of the catalogue raisonne of the works of Vincent van Gogh, Amsterdam and Philadelphia 1996
illus. 1373 on p. 309
no. 1373 on p. 308

John House, Impressionism for England: Samuel Courtauld as Patron and Collector, Courtauld Institute Galleries 1994
illus. p. 203
no. 80

Impressionist, Post-Impressionist and Related Drawings from the Courtauld Collections, Courtauld Gallery, London, 1988
illus. front and back covers
cat. no. 23

The Impressionists and Post-Impressionists from the Courtauld Collection, Tokyo, Kyoto, Osaka and Canberra, 1984
cat. no. 99

Mantegna to Cezanne: Master Drawings from the Courtauld, British Museum, London, 1983
illus. p. 110
cat. no. 108

Drawings from the Courtauld, Graves Art Gallery, Sheffield; Wolverhampton Art Gallery; Bolton Museum and Art Gallery; Laing Art Gallery, Newcastle; Ferens Art Gallery, Hull; Ports, 1977-79
cat. no. 77

Faille, J.B. de la and A.M. Hammacher, The Works of Vincent van Gogh: His Paintings and Drawings., New York 1970
no. 1500

Wylie, A.S., 'An interpretation of the vocabulary of line in Vincent van Gogh's expression of space' in 'Oud Holland', 1970; 85
pp. 213-18

Novotny, Fritz, Uber das "Elementare" in der Kunstgeschichte und andere Aufsatze, Vienna 1968
pp. 37-45

Anthony Blunt and Philip Troutman, Master Drawings from the Witt and Courtauld Collections, 1962
illus. p. 26
cat. no. 21

Drawings and engravings from the Courtauld Collection, Courtauld Institute Galleries, London, Dec. 1959 - Apr. 1960, 1959-1960
illus. pl. 5
cat. no. 23

Impressionistes de la Collection Courtauld de Londres, Orangerie, Paris, 1955
cat. no. 92

Cooper, Douglas, The Courtauld Collection, London 1954
illus. pl. 60
no. 155

Novotny, Fritz, 'Reflections on a drawing by van Gogh' in 'The Art Bulletin', March 1953; XXXV
illus. pl. 1 facing p. 36
pp. 35-43

Faille, J.B. de la, L'oeuvre de Vincent van Gogh: catalogue raisonné., Paris and Brussels 1928
no. 1500

van Gogh, Vincent, Lettres a Bernard, Paris 1911
pl. 68 ...Less

Inscriptions

Watermark: none.

Inscription: Verso: upper left corner, brown ink, artist's hand?: "174".

Collector's mark: none.

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